Princeton, NJ, Estados Unidos : Princeton University Press, c2020.

286 p. : il. ; c2020.

The A.W. Mellon Lectures in the Fine Arts ; 2018

Bollingen series ; XXXV : 67

Introduction: Positive barbarism. -- 1. Jean Dubuffet and his brutes. -- 2. Georges Bataille and his caves. -- 3. Asger Jorn and his creatures. -- 4. Eduardo Paolozzi and his hollow gods. -- 5. Claes Oldenburg and his ray guns. -- Acknowledgments. -- Notes. -- Index. -- Photography and copyright credits. --

Tomado de la solapa: "In Brutal Aesthetics, leading art historian Hal Foster explores how postwar artists and writers searched for a new foundation of culture after the massive devastation of World War II, the Holocaust, and the atomic bomb. Inspired by the notion that modernist art can teach us how to survive a civilization become barbaric, Foster examines the various ways that key figures from the early 1940s to the early 1960s sought to develop a “brutal aesthetics” adequate to the destruction around them. With a focus on the philosopher Georges Bataille, the painters Jean Dubuffet and Asger Jorn, and the sculptors Eduardo Paolozzi and Claes Oldenburg, Foster investigates a manifold move to strip art down, or to reveal it as already bare, in order to begin again. What does Bataille seek in the prehistoric cave paintings of Lascaux? How does Dubuffet imagine an art brut, an art unscathed by culture? Why does Jorn populate his paintings with “human animals”? What does Paolozzi see in his monstrous figures assembled from industrial debris? And why does Oldenburg remake everyday products from urban scrap? A study of artistic practices made desperate by a world in crisis, Brutal Aesthetics is an intriguing account of a difficult era in twentieth-century culture, one that has important implications for our own."

9780691202600

Incluye notas y referencias bibliográficas (pp. 251-276).