3 ed.

Boston, MA, Estados Unidos : Prentice Hall, 2011 ; c2000.

560 p. : il. ; 28 cm.

1. Introduction. -- 2. New York in the forties. -- 3. A dialog with Europe. -- 4. Existentialism comes to the fore. -- 5. The new European masters of the late forties. -- 6. Some international tendencies of the fifties. -- 7. The beat generation. -- 8. Asian and European vanguards of the later fifties. -- 9. The landscape of signs: pop art. -- 10. In the nature of materials: the later sixties. -- 11. Politics and postmodernism. -- 12. Corporate culture and its enemies. -- 13. Painting in the seventies. -- 14. The eighties. -- 15. Unstable definitions. -- 16. Compromised boundaries. -- Epilogue. To say things that are one's own. --

Tomado de Amazon: "This comprehensive and authoritative book illustrates art from the 1940's and stresses the individuality of the artist n the meaning of the major works and innovations. It features nearly 600 illustrations (approximately half in color) representing art since 1940, both in Europe and America. It explores the full range of periods, artists, and movements: New York in the Forties; Calder, Hofmann, Gorky, Motherwell, De Kooning; Existentialism (Pollock, Newman, Rothko, David Smith); The New European Masters of the Late Forties (Dubuffet, Giacometti, Bacon), plus so much more.

9780131934795

Incluye referencias bibliográficas (p. 532-538) e índice.